نه و نیم هفته

نه و نیم هفته فیلمی در ژانر اروتیک، رمانتیک و درام به کارگردانی آدریان لین است که در سال ۱۹۸۶ منتشر شد. این فیلم بر اساس رویدادنامه‌ای به همین نام نوشته نویسنده اتریشی-آمریکایی اینگبورگ دی ساخته شده است.

«نه و نیم هفته» (انگلیسی: 9½ Weeks) یک فیلم در سبک رمانتیک و درام به کارگردانی آدریان لین است که در سال ۱۹۸۶ منتشر شد.

این فیلم در فهرست سکسی‌ترین فیلم‌های تاریخ سینمای جهان که توسط وبگاه بانک اطلاعات اینترنتی فیلم‌ها (IMDb) منتشر شد، مقام دوم را کسب کرد.  

  • خلاصه :
  • روزی «الیزابت» (بیسینگر) که در گالری سوهوکار می‌کند، به‌طور اتفاقی «جان» (رورک) مردی مرموز را در یک خواربارفروشی چینی ملاقات می‌کند. در ملاقات بعدی، «جان» پیشنهاد رابطه‌ای نزدیکتر را می‌دهد. «الیزابت» قبول می‌کند. از این پس «جان» کنترل اوضاع را در دست می‌گیرد و «الیزابت» به تمامی خود را تسلیم خواسته‌های او و این تجربه جدید می‌کند. «جان» هر زمان که دلش بخواهد، «الیزابت» را فرا می‌خواند و در مکان‌های عجیب با او قرار می‌گذارد تا اینکه «الیزابت» احساس می‌کند در این بین احترام شخصی‌اش پایمان می‌شود. او که تاکنون اعتراض جدی به این نوع رابطه نکرده، هنگامی که خواستار آزادی و احترام شخصی‌اش می‌شود، رفتارهای بیمارگون «جان» بروز می‌کند.

کیم بیسینگر بازیگر آمریکایی و دست‌اندرکار صنعت مد است. او با بازی در فیلم‌های دیگه هیچوقت اینو نگو (۱۹۸۳) و بتمن (۱۹۸۹) معروف شد. بسینگر به‌خاطر بازی در فیلم محرمانه لس آنجلس (۱۹۹۷) برندهٔ جایزه اسکار، جایزه گلدن گلوب و جایزهٔ انجمن بازیگران تلویزیونی را برای بهترین بازیگر زن مکمل شد. او همچنین در هشت مایل و نه و نیم هفته ظاهر شد.

فیلم اروتیک به فیلم‌هایی گفته می‌شود که دارای صحنه‌های جنسی و اروتیک و یا با مفهوم آمیزش جنسی است، که شامل صحنه‌های معاشقه می‌شود. این فیلم‌ها متمایز از فیلم‌های سکسی می‌باشند که از آنها با نام فیلم پورنوگرافی و یا فیلم‌هایی با مفهوم آموزش مسائل جنسی یاد می‌شود.

از دوره فیلم صامت در دنیای فیلم‌برداری، صحنه‌های اروتیک در فیلم‌ها موجود است. بسیاری از بازیگران زن و مرد اندام بدن خود را آشکار نموده و در صحنه‌های برانگیزنده و خارج از عرف زمان خود در دوره کاری خود نقش ایفا نمودند. برخی از این فیلم‌ها توسط محافل دینی نقد شده‌اند و یا برخی حکومت‌ها ممنوع‌شان کرده‌اند و یا هردو.

The title of the film refers to the duration of a relationship between Wall Street arbitrageur John Gray and divorced SoHo art gallery employee Elizabeth McGraw in her early 30s. John initiates and controls the various experimental sexual practices of this volatile relationship to push Elizabeth’s boundaries. In doing so, Elizabeth experiences a gradual downward spiral toward emotional breakdown.

Elizabeth first sees John in New York City at a Chinese grocer, and later at a street fair where she decides against buying an expensive scarf. John wins her heart when he eventually produces that scarf. They start dating, and Elizabeth is increasingly subjected to John’s behavioral peculiarities; he blindfolds Elizabeth, who is at first reluctant to comply with his sexual demands, but eventually surrenders to them. He gives her an expensive gold watch, and instructs her to use it to think about him touching her every day at noon. She takes this imperative even further by masturbating at her workplace at the designated time. 

Elizabeth wants to include John in her life and meet her friends, but he makes it clear he only wishes to see her in the evenings, and instructs her to see her friends in the daytime.

Elizabeth’s confusion about John increases when he leaves her alone at his apartment. She examines his closet until she discovers a photograph of him with another woman, April Tover. John asks her if she went through his things, declaring that he will punish her. He then sexually assaults her.

Elizabeth’s heightened need for psychosexual stimulation drives her to stalk John to his office. When they have lunch and she mentions she would like to “be one of the guys,” he arranges for her to crossdress for a rendezvous. On leaving the establishment, two men hurl a homophobic slur when they mistake John and Elizabeth for a gay couple. A fight ensues. Elizabeth picks up a knife from one of the attackers and stabs one of them in the buttocks and both attackers flee. After the fight, Elizabeth reveals a wet tank-top and has sex onsite with John with intensely visceral passion. Following this encounter, John’s sexual games acquire sadomasochistic elements.

Rather than satisfying or empowering Elizabeth, such experiences intensify her emotional vulnerability. While meeting at a hotel room, John blindfolds her. A prostitute enters the room, and starts caressing Elizabeth as John observes them. The prostitute removes Elizabeth’s blindfold and starts working on John. Elizabeth violently intervenes, and flees the hotel, with John in pursuit. They run until they find themselves in an adult entertainment venue. Elizabeth enters a room where a group of men are watching a couple have sex. Elizabeth, visibly upset, notices John watching her, and she starts kissing the man next to her. This affects John, and he moves towards her. Moments later, John and Elizabeth gravitate towards each other, finding themselves interlocked in each other’s seemingly inescapable embrace.

Elizabeth’s exhibition with the artist Farnsworth finally happens, but it’s clear she’s coming apart. In a sad scene, Farnsworth, clearly uncomfortable at the party, watches Elizabeth hiding in a corner, crying. Elizabeth leaves the party and calls John.

The following morning, we see Elizabeth has spent the night at John’s. She gets up, and slowly packs her belongings from his apartment. When John realizes she’s leaving, he attempts to share with her details about his life. Elizabeth tells him that it is too late as she leaves the apartment. John begins his mental countdown from 50, hoping she will come back by the time he is finished.

Quando perguntado onde estavam os limites do abuso em relação a um ator, Lyne explicou, que como se tratava de um relacionamento sadomasoquista, os limites são definidos pelos participantes. “Se não pudesse suportar, seria perceptível diante da câmera. Ela ficaria louca. Desmoronaria.” Mas, e se a cena precisa justamente que a personagem desmorone? “Então, é legítimo. Você está fazendo isso pelo filme.”

Kim declarou que “depois de terminar o filme, não queria ver ninguém que tivesse participado das filmagens. Se chegasse a encontrar com o cara que me trazia o café, eu o teria matado”. Lyne, por sua vez, argumentou que a atriz sabia que no fundo estava sendo ajudada pelo diretor com sua tortura passivo-agressiva: “Não foi agradável, mas foi útil. Kim é um pouco como uma menina. É inocente. Isso é parte de seu atrativo. Ela se tornou sua personagem durante dez semanas, não estava interpretando. Para deixá-la irritada, eu ficava agressivo com ela, e ela ficava agressiva comigo. Mickey também tinha de assustá-la de propósito. Kim não é uma intelectual, não lê livros. Na realidade, não atua, apenas reage, uma qualidade que Marilyn Monroe também tinha”.

Basinger, admitiu que não lia livros porque tinha muito pouca capacidade de atenção, e sobre o filme disse que “Seria difícil decidir se voltaria a fazer [o filme], mas, no final, teria que dizer sim. Houve momentos em que quis abandonar tudo, em que me perguntava se [Adrian Lyne] era um homem doente ou se todos estávamos doentes por nos prestar a isso. Mas, no final, enfrentei meu medo e passei por isso”. “Todas as atrizes deveriam experimentar algo assim, saí mais forte do que em toda a minha vida”, concluiu Basinger.

wild orchid

یک وکیل زن به نام «امیلی» است که در ریو، برزیل توسط یک مرد میلیونر خود ساخته، فریب می خورد…

فیلم ارکیده وحشی یکی از محبوب ترین فیلم های حال حاضر در آمریکا فیلم Wild Orchid 1989 هست با بازی Mickey Rourke و Jacqueline Bisset و بسیار بازیگر خوب دیگر در فیلم Wild Orchid 1989 نقش آفرینی کرده اند. امیلی یک وکیل زن است که در طی ملاقات در ریو مسحور یک میلیونر خودساخته می شود که مجموعه ای از برخوردهای شهوانی را به راه می اندازد.

«میکی» رورک (به انگلیسی: Philip Andre “Mickey” Rourke, Jr.) (متولد ۱۶ سپتامبر ۱۹۵۲) بازیگر، فیلمنامه‌نویس و بوکسور پیشین آمریکایی است. او برای بازی در فیلم کشتی‌گیر جوایر جشنواره جایزه بافتا و جایزه گلدن گلوب را به خود اختصاص داد و نامزد دریافت جایزه اسکار نیز شد.

میکی در فیلم شهر گناه به کارگردانی فرانک میلر و رابرت رودریگز محصول سال ۲۰۰۵ در نقش مارو بسیار خوب ایفای نقش کرد. رورک در روزگار جوانی یکی از خوش چهره ترین بازیگران هالیوود بود. رورک پس از آنکه در مسابقات بوکس حسابی صورتش با مشت های فراوان از فرم اولیه خارج شد، با جراحی های متعدد پلاستیک توانست تا حدود صورت خود را بازیابد اما این میکی رورک، هرگز آن جوان خوش چهره ای نشد که روزگاری در سینما رقیبی خوش تیپ تر از خودش پیدا نمی شد!

در واقع واژهٔ زن یک نام همگانی برای اشاره به انسان ماده است مانند «حقوق زنان».
به‌طور معمول یک زن بالغ، توانایی بارداری و زادن دارد. زن جوان ازدواج نکرده را دوشیزه و زن ازدواج کرده را زن متأهل یا بانو می‌خوانند. به زنی که دارای فرزند شده‌است، مادر گفته می‌شود.

Young lawyer Emily Reed (Otis) travels to New York City for an interview with an international law firm, which immediately offers her a job on the condition that she can fly to Rio de Janeiro the following morning. Emily agrees and is introduced to Claudia Dennis (Bisset), one of the firm’s top executives. They arrive in Rio to finalize the purchase of a hotel, but angry Claudia must fly to Buenos Aires, Argentina, to meet the hotel’s owner. Claudia instructs Emily to cover her date for the night. While viewing the hotel, Emily sees two locals having animalistic sex, which unnerves her and she returns to her own hotel. She meets Claudia’s date; a wealthy man named James Wheeler (Rourke). They have dinner, accompanied by James’ bodyguards

James intrigues Emily; he is quiet and asks personal questions without being demanding or rude. After dinner, they attend a street carnival; Emily leaves after a masked man who looks like James tries to seduce her. The next morning, Emily wakes to find James watching her. He gives her a bouquet of orchids and denies making advances to her the previous evening, and as an apology, he offers to show her the city. She is initially reluctant but consents; they attend a party with a married couple that they noticed in the restaurant the night before. Some navy sailors at the party try to make advances on the wife; James fights them and he, Emily, and the couple leave quickly in his limousine. The married couple is having marital problems because of the wife’s infidelity. She wants to reconcile with her husband. James encourages the couple to have sex in the limo, which they do. Emily finds their actions disturbing. Emily and James then visit the hotel that her firm wants to buy, and she tells James that she fears he would disappear if she touched him. When Emily hugs James, he pulls away from her, telling her that he does not like to be touched

The married couple gives James a necklace; he gives it to Emily. That night, Emily dresses up for the carnival festivities and is propositioned by a man in a mask, who offers her the key to his room. She initially refuses the offer but James encourages her to accept. She realizes James is incapable of acting upon his own emotions and tries to experience passion through others. Emily agrees to the stranger’s proposal and has sex with him 

The next day, Claudia returns to Rio with the hotel’s owner and arranges a meeting at the airport. Emily is humiliated when she discovers that Jerome (Greenwood), the owner’s attorney, is the stranger she slept with; Jerome uses their encounter to intimidate Emily to get a better deal for his client. Claudia discovers the truth and uses the information to threaten Jerome; if he does not complete the deal, she will tell his wife about the affair. Claudia and Emily get a very good deal. After the meeting, Claudia asks Emily about her impressions of James. She tells Emily that James was an only child who stuttered, and is a completely self-made man. Emily says that she has become obsessed with James, but that he would never touch her. Claudia’s assistants tell her that a man bought the deed to the old hotel before the deal was finalized; both women realize it was James, who confirms it was him. Claudia is angry and decides to proceed with the hotel’s sale even though she does not own it, hoping that she will be able to circumvent James’ actions

Claudia arranges a huge party to commemorate the sale of the hotel. The next morning, Claudia invites a young surfer to her room, and asks Emily—who can speak Portuguese—to translate what the surfer says. Claudia, Emily and the surfer are about to have sex when James interrupts them. Emily accuses James of setting people up to disappoint him and then throwing them aside when they do. He responds that he never sets anybody up and that they disappoint him of their own accord. James leaves and Emily shouts after him. Later that day, a package is delivered to Emily’s room; James has signed over the old hotel’s deed to her, saving the deal. Emily goes to the hotel, finds James and tells him she loves him, but leaves when he does not respond

Later that night, Emily returns to her room, where James is waiting for her. He tells Emily that he hardly spoke for years after his father abandoned him as a child, and that because of this his teachers thought he was intellectually disabled. He left school at a young age and worked hard, and while still a teenager, he bought a run-down house and repaired it. After he began to accumulate wealth, women became attracted to him and he started playing games to keep things interesting. The games became a way of life and he cannot stop playing them. Emily encourages James to reach out to her, offering him her love if he makes an effort to touch her. At first he resists, but reaches out and holds her when he thinks she will leave him. The two embrace and have sex. They ride away happily on a motorcycle together

Emily Reed (Carré Otis), une jeune femme arrivée depuis peu à New-York pour un entretien d’embauche dans un cabinet d’avocats international, est immédiatement engagée et envoyée à Rio de Janeiro, accompagnée d’une cadre dirigeante, Claudia Dennis (Jacqueline Bisset) pour aider à l’avancement des travaux d’un luxueux hôtel de plage

Mais Claudia doit partir en Argentine pour affaires. Emily se retrouve seule à diriger les travaux. Elle est présentée à un énigmatique ami de Claudia, Wheeler, un millionnaire marginal. Emily est intriguée par Wheeler et succombe à son charme. Mais ce que Wheeler désire vraiment, c’est la soumettre à une série de tests psychologiques et sexuels dans le but de la désinhiber et de l’introduire à une vie sexuelle sans règles